‘Unreal strength’: Eurovision star Manizha does not ‘shame our country and undermine Russian women’, insists ice icon Slutskaya

Known for her activism and concerts railing against prejudice, xenophobia and media-imposed beauty ideals, art-pop singer Manizha represented Russia at the finals in Rotterdam on Saturday night with a bombastic costume and stage show after winning almost 40 percent of the vote to represent her nation at a vote in Moscow in March.

The 29-year-old has described the song, ‘Russian Women’, as an ode to “a woman’s self-awareness over the past few centuries in Russia,” charting the “amazing” path of females from “a peasant hut to the right to elect and be elected… from factory workshops to space flights.”

“She has never been afraid to resist stereotypes and take responsibilities,” she added. “This is the source of inspiration for the song.”

The single met a mixed reception, including high-profile calls for Manizha to be banned from the finals because of the work’s lack of cultural value. On social media, she received messages of hate from correspondents offended by the number.

Before she took to the stage to be watched by millions around the world, though, Russia’s hopeful received the backing of two-time world champion Slutskaya, who admitted that she had experienced some confusion on first sight of the idea.

“Then I watched it a couple more times,” said the seven-time European ice queen. “This is definitely something that has never happened before.

“Yes, shocking. Yes, it does not fit into the usual understanding of what, in my opinion, a number for Eurovision should be. But maybe this is not bad?

“Many people write that the meaning of the song shames our country and undermines the authority of Russian women.

“But it seems to me that if you listen carefully, then she, rather, ridicules the stereotypes that haunt us throughout life and just sings about the unreal strength and power of a Russian woman.”

Born in Tajikistan, Manizha’s family later moved to Moscow, including her father, who is said to have felt that singing was not a suitable career choice for a Muslim woman.

She studied gospel singing in New York and London and released her debut solo album, ‘Womanizha’, in 2019.

“Every woman has a right to represent her country the way she is,” the former psychology student said shortly before her big moment.

“Not adapting her skin or hair colour, religion or beliefs, political or social views.

“We are all different in Russia. In the world, too. And diversity is a strength when you accept it and display it.

“You will look closer at the beautiful women that sang with me on the Eurovision stage.

“Their differences and their common strength – it will be growing with many more amazing women of Russia.”

Eurovision fans on social media seemed unanimous in their enthusiasm after she took her shot at glory, wearing a huge, colorful gown made from fabrics donated by women from every region in Russia and, at one point, backed by a wall of women from her homeland.

“What a queen,” wrote one admirer. “I love this. Incredible performance and everything we want at Eurovision.”

Another gushed: “Didn’t understand a word but totally got the performance and passion.”

Slutskaya implored Russians to back her. “Bullying is always bad,” she pointed out. “And what fell on Manizha in social networks is categorically wrong.

“On the contrary, we must support the participant from our country. She was elected by popular vote. I think the less anger and bile we have and the more ability to accept different points of view, the better.”

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