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“The basement”: the horror of the suffering of body and mind

A mixture of “silence of the lambs” and “split” — thus positioning his creation beginners in the genre Nathan Ives and Brian M. Conley, co-wrote the script and acted as Directors of his debut horror film “Basement” (The Basement).

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I think you should not especially find fault with the loud statements of young filmmakers. They just need to pay attention to his painting and to describe it. Okay, read the synopsis:

In Los Angeles trades serial killer, hiding under the nickname Twins. He brutally torturing victims, keeping them in the basement of his house in the valley of San Fernando, before being killed. Police have found seven bodies, all mutilated with a blowtorch and beheaded. However, the eighth victim is waiting for a different fate. At this time, the Twins chose Craig Owen, which boasts a beautiful wife and a successful career as a musician. For example, a psychopath will show that they are able to cause not only physical suffering but also psychological.

Torture in combination with intellectual games? Sounds good. Did not disappoint would be implementation, especially in the second aspect. Conley and Ives — dark horses, so it is unknown at what level they write.

Here is what Nathan Ives:

Neither Brian nor I wanted to make a pointless horror movie. In this picture, much is hidden beneath the surface, and I think the audience will be intrigued.

Well, let’s see what critics say to begin with. The benefit of “the Basement” is included in the program Shriekfest, which will be held this fall in Los Angeles.

Denise Gossett, the founder of the film festival from himself adds:

I’m a big fan and supporter of independent films, and “the Basement” is a great example of a well-made, beautifully shot film with amazing acting!

As for the actors, there is Mischa Barton (“Sixth sense”), Jeff Davis (“C. S. I. crime scene”), Celeb long (“Happy child”) and Tracie Thoms (“death Proof”).

Premiere of “the Basement” will take place on 7 October 2017.

© 2017 – 2019, paradox. All rights reserved.

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