50-ies of the last century. Mysterious ancient castle in Tuscany. Here comes Verena, a young nurse with a rare gift to return to their normal lives psychologically traumatized children. She is able to find close contact with them. Verena — the last hope 40-year-old widower Claus, whose son Jacob for several months after the death of his mother, did not say a word. It turns out, the boy took a vow of silence for as long as the spirit of the mother will not return. Very soon, Verena begins to suspect that the Ghost of his dead playing cat-and-mouse, to move into her body. Arising between the owner and the girl attraction, develops into a real passion, accelerates incredible outcome…
You can have different attitudes to mysticism in retro style, but one thing is certain – this genre firmly staked their place in cinema, and enjoys continued popularity among viewers (for the most part, of course, spectators). Ancient costumes, boiling passions in the background of crucial historical events and the mystery of what is happening in the absence of pressure of technical progress are doing their job, and each story becomes something of a dip in the atmosphere of fairy tales. Here is the “Voice of stone” (Voice from the Stone), filmed for international bestseller Silvio Raffo, offers us a journey into the world of post-war Italy, where among the beautiful provincial landscape, in a lonely castle awaits us a terrible secret… and Nude Emilia Clarke.
Let’s start with the most important – daenerys Stormborn, she is the great mother of dragons, is fully undresses and posing on the screen long enoughto tenacious eyes managed to grab the Essentials and capture the memory. So if this is important, what you want from a movie, then you can buy a ticket and swirl to go to the cinema. But to read this material then it is not necessary: it can cause you psychological trauma, because the author will tell you why “Voice of stone”, receives his personal award “Hat of the year”, for the time being will not be a worthy candidate for replacement.
Although the words are absolutely powerless. I admit, at first I fell for the trailer, the costumes, the literary source and exotic Italy and thought that the film would be a kind of being a “Shelter” or “devil’s Backbone”, which is arranged inside the artistic tastes one hundred percent.
Nature is beautifully shot. The clothes are beautifully dressed. What the hell can go wrong?
Honestly, this question torments me still.
If your first thought was, “yeah-Ah! Hayter Emilia Clarke is detected, he doesn’t understand the talent this stunning actress!”, I got to tell you nothing of the sort. I’ll be honest, the language still does not turn to call Emilia Clarke actress, but she played much better than it was expected, at least I do. The image of a strong and independent nanny who loves to listen to the stones and to get lost in my own feelings to the boy, the boy’s father, the elderly maid, some unsmiling walking through the crypt guy, and God knows who is in tune with the atmosphere of this very mysterious film where something’s definitely going on, but now what?
Seriously, from the beginning the action never promises something: a story about the ghosts of stone, the drama of the sudden feel depressed, but courageous sculptor who likes to work with a chisel and mallet (if you know what I mean), the story where all is not as you think… even if you do absolutely not seemed and the only thought in my head was: “How it managed to call the horror… mystery, drama, Thriller film… finally!” Chronometrage rides a succession of scanty uncertain episodes, neither of which a flowing narrative even of the question, and clear up this haze can, perhaps, only in one case out of thousands if you stretch all the scenes and mount them in random order.
And Yes, the suspense here is not like the concept. That is, this film is as terrible as terrible can be, for example, an ordinary series of Brazilian TV series.
Moreover, we cannot say that the events on the screen completely uninteresting. Yes, they look with one eye open, Yes, “progressive” psychotherapeutic methods to treat the boy’s father than the boy himself, but Italy! Costumes! Family castle! So it seems that now everything will turn on its head: the walls go shake the ghosts oviposit of stones, the heroes will start to go crazy… but instead your mind begins to go, the viewer, because any started storyline is lost to two or three, and each turn of history forced to raise a skeptical eyebrow and say: “come on! Come on, come on, what will end this insanity?” And it ends crumpled spit scenario, where (finally!) suddenly start a terrible passion, but also suddenly, they stop, nothing really having. The whole horror was within five to ten minutes.
In fact, for the most part of them and sliced the trailer.
If the wine is a literary source, or a script adaptation, but the “Voice from the stone” turned out to be absolutely unwatchable. And yet a couple of points for him to throw you over the picturesque historical context and immortalized in marble ass, Emilia Clarke – so all concerned I recommend cut 00:58:20 – 01:01:05.
Verdict: 2 points out of 10. Sincerely sorry for all those who will watch this movie.
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